Monday, March 5, 2012

Troll Hunter Director Grabs Carpe Demon

Ovredal pitches for slayer soccer momIt's quite normal for company directors of breakout worldwide hits to become attracted to Hollywood, and Troll Hunter director Andre Øvredal may be the latest to become listed on the club. He's just signed on for Carpe Demon: The Adventures Of The Demon-Hunting Soccer Mother, modified in the book by Julie Kenner.First released in 2005, the novel may be the first inside a series (franchise!) about Kate Connor, a lady living a existence of suburban domesticity and seeking to place her secret past like a slayer of devils firmly behind her. With the exception that her plan comes un-tied when underworld denizens start appearing in her own adopted home town of San Diablo (well, with this title she ought to have known).In a nutshell, it is a type of Buffy-as-grown-up affair: Whatever Happened To Buffy?, if you want. You will find five instalments up to now, with Carpe Demon being then California Demon, Devils Are Forever, Deja Demon and Demon Ex Machina.The script is as simple as Serta and Kevin Hagerman (Hotel Transylvania), but we are not hearing any start dates or potential cast. The privileges towards the book presently reside with Chris Columbus' 1492 production company, who're also planning the British-language Troll Hunter remake. Coincidence? No.Øvredal has proven pretty effectively with Troll Hunter he can juggle humour and horror effectively, so he appears just like a reasonable fit for that material. Let us hope he is not overpowered through the bigger budgets from the Hollywood machine.

Wednesday, February 29, 2012

Mega Buzz: Glee's Cliff-Hanger, Castle's Reckoning and Housewives' Seduction

Revenge Two weeks ago, the question on the mind of every Revenge fan was, "Will Daniel (Josh Bowman) bite the bullet?" Now that Daniel has been spared by the grim reaper, everyone wants to know: Did he pull the trigger? Luckily, fans won't have to wait half a season for an answer. "We're not going to leave the audience hanging for very long as to what happened on the beach that night," creator and executive producer Mike Kelley tells TVGuide.com. "By the end of the episode, the audience will know exactly what happened and exactly the extent of Daniel's guilt." In advance of Wednesday's episode (10/9c, ABC), Kelley also talked about Daniel's upcoming "dark turns," Victoria's romantic and "dangerous" blast from the past and the series' upcoming time jump. Plus: Who is going to die next?! Watch full episodes of Revenge A lot of people think Takeda did it. Will he be back? Mike Kelley: He definitely has Amanda. So yes, Takeda is somebody that will return. He's a big part of Emily's transformation into Emily Thorne, so she'll continue to need to rely on him as we move forward for help and guidance and it's not always going to be a smooth ride. How will Emily's plan change in the wake of the Fire & Ice Ball? Kelley: New pieces of information are going to rise in the next couple of episodes that re-focus her on Conrad and Victoria, and set her feet really firmly back on the path for revenge. It's a big surprise to her just how deep the rabbit hole goes with Victoria and Conrad in regards to David Clarke. What will her relationship with Daniel look like after everything that's happened? Kelley: Daniel is no longer going to be the dupe in the middle of the tug of war between Emily and his mother. He's going to man-up and he's going to start making a few dark turns. He is, after all, a Grayson so his DNA is going to start to win out over his better side. ... Daniel's hands are not clean right now. Literally, they are covered in blood. You're going to learn things about Daniel that I think are going to surprise and he's learning things about himself that are surprising. Revenge Fire & Ice Ball postmortem: Who died? Who lived? Cast and producers tease what's next What does that mean for the love triangle between Daniel, Emily and Jack? Kelley: The triangle will definitely heat up. Emily and Jack are going to forge a bond. There's going to be some increased tension between Daniel and Jack because Jack was there on the beach that night and Jack has Daniel's phone. Jack is going to clue in a little bit more to Daniel. He's going to get drawn in a little bit deeper and he's going to go into protection mode where Emily is concerned. That will be both alluring for Emily and a new challenge for her. Her heart's actually going to be torn. How will Victoria's new love interest enter the picture? Kelley: This guy is somebody that's hooked into her deep past from before Conrad and David Clarke, somebody with intimate knowledge of the young Victoria and who she was before she started making all of these very dark choices. He's part of one of her very first dark choices. There's a lot of passion, a lot of danger and a lot of honesty that is going to surface with this guy. How will his return affect Victoria going forward and her feelings about the family and about Emily? Kelley: The relationship pops up as more of a secret for Victoria to keep. It's something that will - when it comes to light - become a problem. She will meet her former lover again in Episode 17 and then we will jump forward several months into the winter in Episode 18 and they will have continued on this affair and have become quite close. Is there going to be someone new coming into Conrad's love life? Kelley: There will be a resurgent love interest in Conrad's love life, but not necessarily someone new. Rome's James Purefoy heads to Revenge to woo Victoria Will Charlotte continue on her spiral? How far down that path will she go? Kelley: Pretty far. You'll see that she's going to have good reason to want to numb the pain. It's going to be really hard. The darker we go with Charlotte, the more kindred Emily feels with her. The same way that Daniel is a Grayson and Declan is a Porter, Charlotte is a Clarke. So the darkness that is surfacing in Charlotte has connective tissue between Emily and her and is going to provide a lot of story. Will Charlotte try to learn more about her real father? Will that threaten Emily's secret? Kelley: Absolutely, that's part of what fuels her darkness and her isolation. It's also part of the reason why Emily will want to stay closer to her, to make sure that whatever she discovers or needs to know, that Emily has control over that. You said in an earlier interview that there will be another death on the show. How will that death impact the show? Kelley: It will have a deep impact. It's not an extra that's getting killed. [The person] is part of our cast so it will have a big impact. The first half of the season was building toward the Fire & Ice Ball. What is the rest of the season building towards? Kelley: I like that show is without a net. I think the audience is going to really find it librating to feel like they're on an adventure that is uncharted for them. ... I think the audience is going to be more surprised than they were before and that the guessing game is going to get a little bit harder. By the time we get to episode 22, everything about Season 1 will all come back to the murder on the beach and then that drives the last seven episodes. At the end of it, I think people will feel that a very significant book of Revenge has been written and it will free us up to do another book next season.

Monday, February 27, 2012

Music performer Mike Melvoin dies at 74

Jazz pianist, composer, arranger, former Recording Academy leader and prolific studio music performer Mike Melvoin died on February. 23 in Burbank. He was 74. Sporting a recording resume that incorporated the Beach Boys' "Pet Sounds" in addition to key tracks from Frank Sinatra, John Lennon, the Jackson 5 and Tom Waits, Melvoin seemed to be active like a film and television composer and launched numerous respected jazz tracks under their own title. Born in Oshkosh, Wisc., Melvoin started singing at 2 and playing piano at 3. He told William Grimm inside a 2003 interview, "(I figured) the alphabet ended with G." He attended Dartmouth College within the late nineteen fifties as well as in 1961 gone to live in La, where he grew to become a fixture within the city's jazz scene, having fun with the kind of Joe Williams and Peggy Lee. Melvoin launched his first album like a bandleader, "Secrets for your Mind," around the Liberty label in 1966, annually which saw him notch studio time around the Beach Boys' "Good Oscillations" single and "Pet Sounds" LP, in addition to Sinatra's "That's Existence." Studio focus on Lennon's "Uphold Me," Barbra Streisand's "Evergreen," the Jackson 5's "ABC" and Waits' live album "Nighthawks in the Diner" would follow. Melvoin started creating for TV and film in early '70s and led scores to skeins "Fame" and "MacGyver." He'd a little role within the Robert P Niro-directed "The Great Shepherd" in 2006. Melvoin was the very first active music performer for everyone as topper from the Recording Academy. He received a Grammy nomination in 2003 for his recording of "Any Nothing whatsoever," in addition to lifetime achievement honours in the Buddies of Jazz at UCLA and La Jazz Society. Ongoing the household tradition, Melvoin's twin kids Wendy and Susannah performed and recorded with Prince within the eighties (using the former developing 1 / 2 of the Wendy & Lisa duo), and the boy Jonathan would be a touring person in the Smashing Pumpkins until his dying in 1996. Contact the range newsroom at news@variety.com

Saturday, February 25, 2012

Paula Deen Won't Change On-Air Cooking Style Much After Diabetes Reveal

On Friday's Spartacus: Vengeance, Gannicus has came back! But what havoc does the prior Champion of Capua wreak within the old gladiator stomping grounds? Don't have a look at Gannicus. Calculates it's Spartacus' males that are behind the finest, baddest arena bloodbath so far. Spartacus and Co. find new digs within an abandoned structure and learn that Rhaskos, Crixus and Oenomaus ought to be carried out. Spartacus surrender to trying in order to save them, even if this means entering an arena full of Romans who had been hunting him. Meanwhile, Gannicus has returned to Capua too as with his mind, becoming Oenomaus' executioner can provide the prior Doctore the glorious, noble gladiator's dying he warrants. That will totally replace sleeping along with his wife before she died! No awkward reunion whatsoever. Discover More > Other Links From TVGuide.com Spartacus

Friday, February 24, 2012

Miscast Roles: The Case For Mark Ruffalo in Rise of the Planet of the Apes

You know this movie, and chances are that you loved this movie -- except for that one role that almost ruined it all. Miscast Roles is where Movieline and its readers swap out those roles to make it right. One of last years surprise critical and commercial darlings, Rise of the Planet of the Apes, wowed audiences, stoked many an awards-season debate and revitalized an important science fiction franchise - all while still managing to appeal to moviegoers unfamiliar with the original 1968 film (or that film's 1963 source novel). As chief chimp Caesar, Andy Serkiss performative collaboration with the motion capture geniuses from WETA was a great spectacle, presenting viewers with a gorgeously rendered CGI-animated character. Yet one consistent flaw in Rise left me scratching my head: James Francos weirdly aloof performance as scientist Will Rodman. The film presents Rodman as an Alzheimers disease researcher who claims to have found a cure that necessitates extensive animal testing and, subsequently, brings about a race of intelligent, self-aware chimpanzees, as well as the titular rise of the primate-centered culture in which the rest of the series is based. Imagining Franco as a brilliant researcher even in the best of performances would be, lets face it, a bit of stretch. But add the fact that this character is motivated by a desire to cure his own father of the debilitating effects of the disease in question - not to mention Rodman's somewhat unhealthy attachment to the first subject of his animal tests - and youve got a complex emotional palette that seemed to flat-out confuse Franco. A much better choice for this role would have been the expressive Mark Ruffalo, an actor capable of communicating exactly what was needed of the Rodman character in this story. This is not to say that Franco is a bad actor, far from it. His talents are just misplaced here: Franco is best at lengthening the emotional distance between character and audience, arresting viewers attention through enigma and idiosyncrasy, rather than connecting through direct emotional appeal. He rarely lets the viewer into his head space, and this role really needed someone with whom the audience could immediately connect. Ruffalo, meanwhile, has acted powerfully in two films in particular - You Can Count on Me and Shutter Island - that required exactly the two traits most vital to the Rodman character: a palpable sense of sympathy and an ability to play a straight-man to a more eye-catching lead. Rodmans psychology, hovering between helplessness and an ambitious determination to set things right, was meant to parallel the emotional instability of his primate pal Caesar, as the latter scales from animal behavior up the rungs of human cognitive development. Franco consistently hit the wrong notes in his interaction with Serkiss Caesar, and often left John Lithgow, who played the dementia-stricken father, adrift in scenery chewing overtures. The scenes between father and son didnt work like they couldve, and the potential to cast the conflicting motivations vying for Rodmans attention in terms of Caesars own dual nature went unrealized. In Ruffalos breakthrough role in You Can Count On Me, he showed huge emotional range as the wayward brother to Laura Linneys maternally protective big sister character. You Can Count On Me highlights a young mans floundering crisis of identity, as played out within a family drama. [Clip NSFW] The film is one long assurance by Ruffalos character that, wherever he might wander in the greater world, the bonds of family holding him and his sister together still remain. Sound familiar? Rise of the Planet of the Apes features a strikingly similar theme, though its identity crisis and negotiation of familial loyalty covers an inter-species bond. In You Can Count On Me, Ruffalo plays the Caesar role to Linneys big sister; he is the one breaking out into new territory of self-determination, while its Linney who plays the concerned, yet ultimately quiescent guardian. But Ruffalo reverses that relationship in his mentorship of Linneys young son, played by Kieran Culkin, and there he shows some very strong Rodman-type characteristics. Meanwhile, Ruffalos pensive second fiddle to Leonardo DiCaprios go-for-broke investigator in Shutter Island also fulfills the required qualifications for stepping into the Rodman part. Ruffalo stays in the background of the drama for most of Shutter Island, allowing DiCaprio to serve as a fixed center to the films horrifically shifting sense of reality. The fact that the audience isnt supposed to be looking too closely at Ruffalo ends up being important, given plot developments. Yet when all is revealed, and Ruffalo is finally able to communicate what his watchful, subdued presence in the film actually entails, he shines. Watch Ruffalos eyes in the final scene of Shutter Island in the clip below, and imagine how applying that level of character layering to Will Rodman in Rise of the Planet of the Apes would have benefited the whole production. Nathan Pensky is an associate editor at PopMatters and a contributor at Forbes, among various other outlets. He can be found on Tumblr and Twitter as well.

Wednesday, February 22, 2012

Greg Grunberg To Co-Star In CBS Greg Malins/Greg Berlanti Comedy Pilot

EXCLUSIVE: It’s The Greg Show! Heroes alum Greg Grunberg remains cast in CBS’ untitled comedy pilot from Greg Berlanti and Greg Malins. The Warner Bros./Berlanti Prods. project, also known as Oh Fuck It’s You, concentrates on Nick, a common womanizer who, after which makes it through any adverse health scare, recognizes that The Primary One he's never found is actually his nearest friend of 15 years, Wendy (JoAnna Garcia). But Wendy is engaged with a guy Nick likes she and Nick own a business together in addition to their work for balance dating attending college will be a disaster. Grunberg may have Wendy’s brother Charlie, beaten lower by existence, insanely acerbic and during the time of the bitter divorce. He visited college with both Wendy and Nick which is Nick’s best guy friend. He was there after they dated, knows just what a horrible couple they were, and alerts Nick in regards to the dangers his confession could bring. The casting stems fro the talent holding deal Grunberg signed with Warner Bros. TV in October. This marks an infrequent entering half-hour comedy for Grunberg, repped by ICM and Variety, who got his break round the WB’s Felicity. His only regular comedy series gig so far was round the 2006 sitcom The Mike Effect.

CBS names new mind of daytime programming

McDanielCBS has promoted Angelica McDaniel to senior veep of daytime, filling the vacancy left by Barbara Bloom's departure within the Eye a year ago. McDaniel will oversee all daytime programming, including soaps "The Youthful as well as the Restless" and "Bold as well as the Beautiful," gameshows "The Price is appropriateInch and "Let's Produce a Deal" and yakker "The Talk." McDaniel remains controlling day-to-day creative matters for "Talk" since joining the interest in August 2010. She reviews to CBS Entertainment prexy Nina Tassler. "Angelica makes invaluable contributions for the launch and success of 'The Talk,' " mentioned Tassler. "Her proper and artistic vision and understanding from the daytime landscape is constantly on the maneuver CBS Daytime inside the right direction as this effective and lucrative day part is constantly evolve." Before CBS, McDaniel will be a creative professional at Telepictures Prods., concentrating on "The Tyra Banks Show" together with other syndie skeins. Blossom left the interest noisy . 2011 after an eight-year run. Contact Cynthia Littleton at cynthia.littleton@variety.com